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Line 1: {{Short description|Music genre}} {{Infobox |name = Algorave Line 27 ⟶ 28: | date = 29 August 2013 | url = https://www.wired.co.uk/magazine/archive/2013/09/play/algorave | |first = Rob |title = Algoraves: Dancing to live coding Line 33 ⟶ 34: | date = 21 April 2014 | url = http://sdtimes.com/algoraves-dancing-to-live-coding/ | ==Description==
[[File:Algorave logo.png|thumb|left|180px|Algorave logo (a [[spirangle]]), based on a three-armed [[Brigid's Cross]].]] Algoraves can include a range of styles, including a complex form of minimal techno, and the movement has been described as a meeting point of hacker philosophy, geek culture, and clubbing.<ref name="wired201309">{{cite web|url=https://www.wired.co.uk/magazine/archive/2013/09/play/algorave|title=Hacking meets clubbing with the 'algorave'|work=Wired UK}}</ref> Although live coding is commonplace,<ref>{{cite web|url=http://cacm.acm.org/blogs/blog-cacm/168153-trip-report-on-dagstuhl-seminar-on-live-coding/fulltext|title=Trip Report on Dagstuhl Seminar on Live Coding|author=Mark Guzdial|date=26 September 2013|work=acm.org}}</ref> any algorithmic music is welcome which is "wholly or predominantly characterised by the emission of a succession of repetitive conditionals",<ref>{{cite web|url=http://boingboing.net/2013/05/11/algoraves-dancing-to-algorith.html|title=Algoraves: dancing to algorithms|work=Boing Boing}}</ref> which is a corruption of the definition of rave music (“wholly or predominantly characterised by the emission of a succession of repetitive beats”)<ref>{{cite web|url=http://www.legislation.gov.uk/ukpga/1994/33/part/V/crossheading/powers-in-relation-to-raves|title=Criminal Justice and Public Order Act 1994|work=legislation.gov.uk}}</ref> in the UK's [[Criminal Justice Act 2003|Criminal Justice Act]]. Although algorave musicians have been compared with DJs,<ref>{{cite web|url=http://www.slate.fr/culture/77242/programmation-dj-musique-algorithme|title=Les programmeurs sont les nouveaux DJ|work=Slate.fr}}</ref> they are in fact live musicians or improvisers, creating music live, usually by writing or modifying code, rather than mixing recorded music.<ref>{{cite web|url=http://diprosper.wordpress.com/2013/05/10/algoravestuding-the-relation-between-digital-and-analogue-ways/|title=Algorave|work=in-corporeo}}</ref> At an algorave the computer musician may not be the main point of focus for the audience and instead attention may be centered on a screen that displays live coding, that is the process of writing source code, so the audience can not just dance or listen to the music generated by the source code but also to see the process of programming. ==History== Algorithmic approaches have long been applied in electronic dance music from the 1970s when [[Brian Eno]] established randomised musical practises which evolved into [[generative music]] over the course of his long career. This, in turn, influenced [[rave culture]] and [[techno]] of the 1990s by [[Farmers Manual]], [[Autechre]], and [[Aphex Twin]]. The ''[[Anti EP]]'' was an explicit response to the [[Criminal Justice and Public Order Act 1994]] - specifically the track " ==Community== Line 66: [[Category:Computer music]] [[Category:Rave]] [[Category:Electronic dance music [[Category:Digital artworks]] [[Category:Electronic music genres]] |