Daniela Kerck: Difference between revisions - Wikipedia
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Line 24: Kerck studied stage design at the [[Academy of Fine Arts Vienna]] with [[Erich Wonder]]. Her thesis was titled "Every Room is the Centre of the World". She worked as Wonder's assistant at the [[Zürich Opera House]], the [[Berlin State Opera]] and the [[Bavarian State Opera]]. She was an assistant to both {{ill|Peter Mussbach|de}} and [[Luc Bondy]] at [[La Scala]] in Milan, and worked as assistant director to [[Johannes Schaaf]] at the [[War Memorial Opera House|San Francisco War Memorial Opera]] and the [[Aalto Theatre]] in Essen. She studied music theatre direction at the [[Hochschule für Musik Karlsruhe]]<ref name="Wiesbaden" /><ref name="Karlsruhe" /> with Andrea Raabe and {{ill|Stephan Mösch|de}}, and attended [[master class]]es with [[Peter Konwitschny]] and [[Tatjana Gürbaca]].<ref name="Wiesbaden" /> She directed and created sets for several performances at the [[Hessisches Staatstheater Wiesbaden]], both plays such as [[Joshua Harmon (playwright)|Joshua Harmon]]'s ''Admissions'' and ''[[The Minutes (play)|The Minutes]]'' by Tracy Letts, and opera. She created Jörg Widmann's ''[[Babylon (opera)|Babylon]]'' for the opening performance of 2022 [[Internationale Maifestspiele Wiesbaden]]<ref name="Wiesbaden" /> and Dvořák's ''[[Rusalka (opera)|Rusalka]]'' in collaboration with soprano Olesya Golovneva.<ref name="Wiesbaden" /><ref name="Sternburg" /> Her work for the world premiere of [[Søren Nils Eichberg]]'s ''Oryx and Crake'' based on [[Oryx and Crake|the novel by Margaret Atwood]], was nominated for the [[International Opera Awards]].<ref name="Hochheim" /><ref name="Karlsruhe" /> She directed Puccini's ''[[Turandot]]'' in her sets for the 2024 Internationale Maifestspiele, conducted by [[Yoel Gamzou]].<ref name="Wiesbaden" /> When == References == | |||