Lost River (soundtrack): Difference between revisions - Wikipedia


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{{Draft topics|media}}

{{AfC topic|media}}

{{AfC submission|||ts=20240625092411|u=223.178.80.163|ns=118}}

{{Draft article|subject=music}}

{{Infobox album

| name = Lost River

| type = soundtrack

| cover = Lost River (soundtrack).jpg

| alt =

| artist = [[Johnny Jewel]]

| released = March 30, 2015

| recorded = 2014{{ndash}}20152014–2015

| genre =
* {{hlist|[[Film score]]|
* [[film soundtrack]]}}

| length = 93:43

| label = [[Italians Do It Better]]

| producer = [[Johnny Jewel]]

| prev_title = [[Bronson (film)|Bronson]]

| prev_year = 20152008

| next_title = [[A Beautiful Now]]

| next_year = 2016

| misc = {{Singles

| name = Lost River

| type = soundtrack

| single1 = Yes (Love Theme from ''Lost River'')

| single1date = February 2, 2015

| single2 = Yes (Lullaby from ''Lost River'')

| single2date = February 2, 2015

| single3 = Bullytown

| single3date = February 16, 2015

| single4 = Shell Game

| single4date = March 16, 2015

}}

}}

'''''Lost River''''' is the [[Soundtrack album|soundtrack]] to the [[Lost River (film)|2015 film of the same name]] directed by [[Ryan Gosling]] and stars [[Christina Hendricks]], [[Saoirse Ronan]], [[Iain De Caestecker]], [[Matt Smith]], [[Ben Mendelsohn]], [[Barbara Steele]] and [[Eva Mendes]]. The film's musical score is composed by [[Johnny Jewel]], featuring an original score with dialogues from the cast appearing as interludes in the score and contributions from Jewel's former bands [[Glass Candy]], [[Chromatics (band)|Chromatics]], [[Desire (band)|Desire]] and [[Symmetry (band)|Symmetry]]. The soundtrack to the film was released on March 30, 2015 through Jewel's [[Italians Do It Better]] record label and further issued in triple LP vinyl editions on November 2015.

== Background and development ==

Gosling often goes to Jewel's show in Los Angeles since 2007; during the production of ''[[Drive (2011 film)|Drive]]'' (2011), he along with the director [[Nicolas Winding Refn]] and the film's producers and few crew members visited the tour of Jewel's [[Glass Candy]] performing in the city during 2010.<ref>{{Cite web |last=Lindsay |first=Cam |date=July 18, 2013 |title=An Extremely Long Interview with Johnny Jewel |url=https://www.vice.com/en/article/68mm4r/an-extremely-long-interview-with-johnny-jewel |url-status=live |archive-url=https://web.archive.org/web/20230709234338/https://www.vice.com/en/article/68mm4r/an-extremely-long-interview-with-johnny-jewel |archive-date=July 9, 2023 |access-date=June 25, 2024 |website=Vice |language=en}}</ref> Though Jewel had not seen any of Gosling's films, he shared a rapport with Gosling, Refn and the film's editor Matt Newman discussing about the musical landscape and the scores he inspired. During post-production, Jewel was replaced by [[Cliff Martinez]], even though some of his songs are still included the film and its soundtrack.<ref>{{Cite web |last=Kiang |first=Jessica |date=May 21, 2014 |title=The Cannes Field Manual: What To Expect From Ryan Gosling’s Directorial Debut ‘Lost River’ |url=https://www.indiewire.com/features/general/the-cannes-field-manual-what-to-expect-from-ryan-goslings-directorial-debut-lost-river-85627/ |url-status=live |archive-url=https://web.archive.org/web/20240625075141/https://www.indiewire.com/features/general/the-cannes-field-manual-what-to-expect-from-ryan-goslings-directorial-debut-lost-river-85627/ |archive-date=June 25, 2024 |access-date=June 25, 2024 |website=IndieWire |language=en-US}}</ref>

Jewel did not meet Gosling until 2012, when Glass Candy was performing at the [[Fun Fun Fun Fest]] in [[Austin, Texas]] which Gosling attended where he was filming for [[Terrence Malick]] directorial ''[[Song to Song|]]''Song to Song'']] (2017).<ref name=":0">{{Cite web |last=Lattanzio |first=Ryan |date=April 20, 2015 |title=Seeing Ryan Gosling’s ‘Lost River’ Through Composer Johnny Jewel’sJewel's Eyes (STREAMStream SOUNDTRACKSoundtrack) |url=https://www.indiewire.com/features/general/seeing-ryan-goslings-lost-river-through-composer-johnny-jewels-eyes-stream-soundtrack-187956/ |url-status=live |archive-url=https://web.archive.org/web/20240625061247/https://www.indiewire.com/features/general/seeing-ryan-goslings-lost-river-through-composer-johnny-jewels-eyes-stream-soundtrack-187956/ |archive-date=June 25, 2024 |access-date=June 25, 2024 |website=IndieWire |language=en-US}}</ref> In February 2013, Gosling and Jewel met again and casually discussed about the film. Gosling later sent the script to Jewel, which he immediately liked it and called it as "swampy and deteriorating". Jewel then sent him a [[mixtape]] of about five hours of music based on his ideas from the script which Gosling included in the edited footage.<ref name=":0" /> Jewel inspired specific compositions from [[John Carpenter]] and [[Ennio Morricone]] in his mind while scoring the film, as "there was a lot of dead space and it reminded me of a western, and I wanted the element of half-soundtrack, half-sound-design, a romanticized version of a disintegrated space where it’s just a no man’s land, a junkyard."<ref name=":0" />

Jewel added that the two recurring themes were water and metal, "the two things that defined what the characters are struggling with".<ref name=":1">{{Cite web |last=Gallo |first=Phil |date=April 9, 2015 |title=Chromatics’ Johnny Jewel Takes Ryan Gosling Film on a Metallic Musical Journey |url=https://www.billboard.com/music/music-news/chromatics-johnny-jewel-takes-ryan-gosling-film-on-a-metallic-musical-journey-6524519/ |url-status=live |archive-url=https://web.archive.org/web/20221203213914/https://www.billboard.com/music/music-news/chromatics-johnny-jewel-takes-ryan-gosling-film-on-a-metallic-musical-journey-6524519/ |archive-date=December 3, 2022 |access-date=June 25, 2024 |website=Billboard |language=en-US}}</ref> He used a waterphone to provide a recurring gong-like sound inspired by ''[[High Noon|]]''High Noon'']] (1952).<ref name=":1" /> Wind chimes were used "to represent the characters having a lack. The idea sonically was to have tones that would be individual, build and overlap. As things become more heightened, the wind chime becomes violent, more metallic, more stressful."<ref name=":1" /> The scrapped piece from the score was a theme for Frankie that was utilized with the help of a [[Fisher-Price]] [[Wind-up toy|wind-up record player]], describing his relationship to the metal being more innocent.<ref name=":1" />

Jewel recorded 90 minutes of music for the film.<ref>{{Cite magazine |last=Mejia |first=Paula |date=April 8, 2015 |title=Johnny Jewel Shines a Light on Chromatics (and Scoring Films with Ryan Gosling) |url=https://tmagazine.blogs.nytimes.com/2015/04/08/chromatics-johnny-jewel-ryan-gosling/ |url-status=dead |archive-url=https://web.archive.org/web/20150414040312/https://tmagazine.blogs.nytimes.com/2015/04/08/chromatics-johnny-jewel-ryan-gosling/ |archive-date=April 14, 2015 |access-date=June 25, 2024 |magazine=T |publisher=The New York Times |language=en-US}}</ref> Besides his score, Jewel nearly utilized nearly eight pieces of dialog as interludes in the soundtrack which were used from the outtakes instead from the film. The use of dialogues in the score exceeded the 10-second limit which resulted in Jewel's manager discussing with [[SAG-AFTRA]] for over a month, as "no one had ever done a soundtrack that way". Eventually, Jewel had to compensate the actor's day rate plus 17.4 percent of the day rate to cover the SAG dues.<ref name=":1" /> The album also featured music from Jewel's former bands [[Glass Candy]], [[Chromatics (band)|Chromatics]], [[Desire (band)|Desire]] and [[Symmetry (band)|Symmetry]]; [[Saoirse Ronan]] and [[Ben Mendelsohn]] also contributed songs from the film.<ref>{{cite web |date=March 30, 2015 |title='Lost River' Soundtrack Released |url=http://filmmusicreporter.com/2015/03/30/lost-river-soundtrack-released/ |url-status=live |archive-url=https://web.archive.org/web/20150507171209/http://filmmusicreporter.com/2015/03/30/lost-river-soundtrack-released/ |archive-date=May 7, 2015 |access-date=September 21, 2015 |website=Film Music Reporter}}</ref>

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== Reception ==

Nick Neyland of ''[[Pitchfork (website)|Pitchfork]]'' assigned 7 (out of 10), summarising "The depth and breadth of this album makes it feel archival, as if someone excavated Jewel’s vaults for material long after the film was released [...] This is a cut above the rest, but listening to it occasionally feels like sifting through a yard sale looking for gold."<ref>{{Cite web |last=Neyland |first=Nick |date=April 21, 2015 |title=Johnny Jewel: Lost River OST |url=https://pitchfork.com/reviews/albums/20513-lost-river-ost/ |url-status=live |archive-url=https://web.archive.org/web/20150725122205/https://pitchfork.com/reviews/albums/20513-lost-river-ost/ |archive-date=July 25, 2015 |access-date=June 25, 2024 |website=Pitchfork |language=en-US}}</ref> Geerit Feenstra of ''[[KEXP-FM]]'' wrote "From beginning to end, the ''Lost River'' soundtrack is a weird, wonderful, and vibrant mixture, from innocent bliss to crimelord hell, ''Lost River'' isn't afraid to brave the peaks and valleys of its accompanying film, and with Johnny Jewel and Italians Do It Better at the helm, things go off without a hitch. This soundtrack is a roller coaster ride unlike any cult movie soundtrack reissue you'll pick up anywhere."<ref>{{Cite web |last=Feenstra |first=Geerit |date=August 4, 2015 |title=Album Review: Johnny Jewel {{ndash}} Lost River Original Soundtrack |url=https://www.kexp.org/read/2015/04/08/album-review-johnny-jewel-lost-river-original-soundtrack/ |url-status=live |archive-url=https://web.archive.org/web/20201026010338/https://www.kexp.org/read/2015/04/08/album-review-johnny-jewel-lost-river-original-soundtrack/ |archive-date=October 26, 2020 |access-date=June 25, 2024 |website=KEXP-FM}}</ref> Geoffrey Macnab of ''[[The Independent|]]''The Independent'']] described it as "wonderfully atmospheric".<ref>{{Cite web |last=Macnab |first=Geoffrey |date=April 9, 2015 |title=''Lost River'' review: Ryan Gosling's directorial debut is a wildly |url=https://www.independent.co.uk/arts-entertainment/films/reviews/lost-river-film-review-ryan-gosling-s-directorial-debut-is-a-wildly-selfindulgent-affair-10166239.html |url-status=live |archive-url=https://web.archive.org/web/20230414052451/https://www.independent.co.uk/arts-entertainment/films/reviews/lost-river-film-review-ryan-gosling-s-directorial-debut-is-a-wildly-selfindulgent-affair-10166239.html |archive-date=April 14, 2023 |access-date=June 25, 2024 |website=The Independent |language=en}}</ref> Oliver Lyletton of ''[[IndieWire]]'' wrote "the score, by [[Drive (soundtrack)|''Drive'' soundtrack]] contributor Johnny Jewel, is one of the film’s best elements".<ref>{{Cite web |last=Lyttelton |first=Oliver |date=May 20, 2014 |title=Cannes Review: Ryan Gosling’sGosling's ‘Lost''Lost River’River'' Starring Christina Hendricks, Saoirse Ronan & Matt Smith |url=https://www.indiewire.com/criticism/culture/cannes-review-ryan-goslings-lost-river-starring-christina-hendricks-saoirse-ronan-matt-smith-85681/ |url-status=live |archive-url=https://web.archive.org/web/20231211084858/https://www.indiewire.com/criticism/culture/cannes-review-ryan-goslings-lost-river-starring-christina-hendricks-saoirse-ronan-matt-smith-85681/ |archive-date=December 11, 2023 |access-date=June 25, 2024 |website=IndieWire |language=en-US}}</ref> Peter Labuza of ''The Film Stage'' described it as "half ominous tones of evil and half uplifting, ''Drive''-style techno."<ref>{{Cite web |last=Labuza |first=Peter |date=May 21, 2014 |title=[Cannes Review] Lost River |url=https://thefilmstage.com/cannes-review-lost-river/ |url-status=live |archive-url=https://web.archive.org/web/20201007165920/https://thefilmstage.com/cannes-review-lost-river/ |archive-date=October 7, 2020 |access-date=June 25, 2024 |website=The Film Stage |language=en-US}}</ref> Simon Reynolds of ''[[Digital Spy]]'' wrote "the excellent Johnny Jewel-composed soundtrack only amplifies the dream-like atmosphere".<ref>{{Cite web |last=Reynolds |first=Simon |date=April 9, 2015 |title=Ryan Gosling's Lost River review |url=https://www.digitalspy.com/movies/a640776/lost-river-review-ryan-goslings-dark-fairytale-shoots-for-the-stars/ |url-status=live |archive-url=https://web.archive.org/web/20210125164850/https://www.digitalspy.com/movies/a640776/lost-river-review-ryan-goslings-dark-fairytale-shoots-for-the-stars/ |archive-date=January 25, 2021 |access-date=June 25, 2024 |website=Digital Spy |language=en-GB}}</ref> Marc Savlov of ''[[The Austin Chronicle]]'' described the score as "haunting".<ref>{{Cite web |last=Savlov |first=Marc |date=April 4, 2015 |title=SXSW Film: Ryan Gosling and Guillermo Del Toro Recap |url=https://www.austinchronicle.com/daily/sxsw/2015-03-14/sxsw-film-ryan-gosling-and-guillermo-del-toro-recap/ |url-status=live |archive-url=https://web.archive.org/web/20150425091506/https://www.austinchronicle.com/daily/sxsw/2015-03-14/sxsw-film-ryan-gosling-and-guillermo-del-toro-recap/ |archive-date=April 25, 2015 |access-date=June 25, 2024 |website=The Austin Chronicle |language=en-US}}</ref> Todd McCarthy of ''[[The Hollywood Reporter]]'' wrote "The soundtrack has a similar lively eclecticism."<ref>{{Cite web |last=McCarthy |first=Todd |date=May 20, 2014 |title=‘Lost River’: Cannes Review |url=https://www.hollywoodreporter.com/movies/movie-news/lost-river-cannes-review-705908/ |url-status=live |archive-url=https://web.archive.org/web/20210517114409/https://www.hollywoodreporter.com/movies/movie-news/lost-river-cannes-review-705908/ |archive-date=May 17, 2021 |access-date=June 25, 2024 |website=The Hollywood Reporter |language=en-US}}</ref>

== Track listing ==

{{Track listing

| headline = ''Lost River'' track listing

| title1 = Tell Me

| extra1 = [[Saoirse Ronan]]

Line 88 ⟶ 101:

| extra18 = {{hlist|[[Larry Clinton]]|Mary Dugan}}

| length18 = 2:22

| title19 = The Goddess Ofof Gore

| extra19 = [[Rob Zabrecky]]

| length19 = 1:09

Line 140 ⟶ 153:

| total_length = 93:43

}}

== References ==

{{reflist}}

{{authority control}}

{{Draft categories|

[[Category:2015 soundtrack albums]]

}}