Bracha L. Ettinger: Difference between revisions - Wikipedia

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Ettinger had a solo project at the [[Pompidou Centre]] in 1987, and a solo exhibition at the Museum of Calais in 1988. In 1995, she had a solo exhibition at the [[Israel Museum]] in Jerusalem, and in 1996 she participated in the [[Contemporary art]] section of ''Face à l'Histoire. 1933–1996'' exhibition in the [[Pompidou Centre]].<ref>''Face à l'Histoire. 1933–1996.'' Paris: Flammarion and Centre Georges Pompidou (1996); {{ISBN|2-85850-898-4}}</ref> In 2000, she had a mid-life retrospective at the [[Centre for Fine Arts]] (The Palais des Beaux Arts) in Brussels, and in 2001 a solo exhibition at the [[Drawing Center]] in [[New York City|New York]].<ref>''Bracha Lichtenberg Ettinger: Eurydice Series.'' Edited by Catherine de Zegher and Brian Massumi. ''Drawing Papers'', n.24. NY: The Drawing Center, 2001. With texts by Judith Butler, Bracha Ettinger, Adrien Rifkin and the editors, and including a conversation between the Bracha Ettinger and Creigie Horsfield.</ref> She continued to train as a psychoanalyst with [[Françoise Dolto]], Piera Auglanier, Pierre Fedida, and [[Jacques-Alain Miller]], and became an influential contemporary [[French feminists|French feminist]].<ref>Couze Venn, in: ''Theory, Culture and Society''. Vol. 21 (1), 2004.</ref><ref>Vanda Zajko and [[Miriam Leonard]] (ed.s), ''Laughing with Medusa''. Oxford University Press; {{ISBN|0-19-927438-X}}</ref><ref name="Humm, Maggie 2003">[[Maggie Humm|Humm, Maggie]], ''Modernist Women and Visual Cultures''. Rutgers University Press (2003); {{ISBN|0-8135-3266-3}}</ref><ref name="Humm, Maggie 1997">Humm, Maggie, ''Feminism and Film''. Indiana University Press (1997); {{ISBN|0-253-33334-2}}</ref>

Around 1988, Ettinger began her Conversation and Photography project. Her personal art notebooks<ref>Bracha Lichtenberg Ettinger, ''Matrix. Halal(a) — Lapsus. Notes on Painting''. Oxford: MOMA (1993); {{ISBN|0-905836-81-2}}</ref><ref>''Bracha Lichtenberg Ettinger: Artworking 1985–1999'', with a reprint of ''Notes on Painting''. Ludion: Ghent-Amsterdam, and Brussels: Palais des Beaux-Arts, 2000; {{ISBN|90-5544-283-6}}</ref> have become source for theoretical articulations. Her art has inspired historian [[Griselda Pollock]], international curator [[Catherine de Zegher]], and philosophers [[Jean-François Lyotard]], [[Christine Buci-Glucksmann]] and [[Brian Massumi]], who dedicated a number of essays to her painting.<ref>Brian Massumi, "Painting: The voice of the grain" in Bracha L. Ettinger, ''The Matrixial Borderspace'', University of Minnesota Press, 2006</ref><ref>Jean-François Lyotard, "Diffracted Traces / Anima Minima, ''Matrix - Halala Autistwork'', Israel Museum, 1995 and in: Noam Sigal, ''Bracha Lichtenberg Ettinger'', Radicants / Le press du reel, Paris, 2022</ref><ref>Jean-François Lyotard, "Anamnesis", in Noam Sigal (ed.), ''Bracha Lichtenberg Ettinger'', Radicants / Le press du reel, Paris, 2022 </ref><ref>Christine Buci-Glucksmann, "Inner space of painting", ''Halala - autistwork'', Israel Museum 1995</ref><ref>Griselda Pollock, ''Encounters in the Virtual Feminist Museum'', Routledge, 2007</ref><ref>Catherine de Zegher, ''Women's Work is Never Done'', Ghent: Mer. Papers Kunsthalle, 2015</ref><ref>de Zegher, Catherine and Pollock, Griselda, eds. ''Art as Compassion'', Ghent: Mer. Papers Kunsthalle, 2011.</ref><ref>de Zegher, Catherine, ''Inside the Visible'', MIT Press, 1996.</ref>

Based mainly in Paris, Ettinger was visiting professor (1997–1998) and then research professor (1999–2004) in [[psychoanalysis]] and aesthetics at the School of Fine Art, History of Art and Cultural Studies at the [[University of Leeds]].<ref name="EGS"/> Since 2001, she has been visiting professor in Psychoanalysis and Aesthetics at the AHRC Centre for Cultural Analysis, Theory and History (now CentreCATH).<ref name=CATH>AHRC Centre for Cultural Analysis, Theory and History [http://www.leeds.ac.uk/cath/ahrc/people/fellows/ble.html AHRC B.Ettinger page].</ref> Ettinger had returned to Tel Aviv on a part-time basis in 2003 when she separated from her partner. She was a lecturer at the [[Bezalel Academy of Art and Design]] in Jerusalem until 2006, when she became Chair and Professor at the EGS.<ref name="EGS"/> She founded the matrixial theory in [[psychoanalysis]].<ref>Bracha L. Ettinger, ''Matrixial Subjectivity, Aesthetics, Ethics''. Vol I: 1990-2000. Edited by [[Griselda Pollock]], Pelgrave-Macmillan, 2020.</ref>