Line 7:
c) there would be some buillshit and hurt feelings surrounding a mad rush to P-day or whatever you want to call the day that is chosen for crystallization and ...dare I say it, cannonization.
d) or you could pick a moment that has already passed (I don't know anything about the technical matters of retreiving a web page The Way it Was on a certain date in the past) and print that version. bluegreenjamesatyahoodotcom.
===Composers===
(hm, turns out most of the composers I'm inclined to work on wrote for double reeds, but then that's not surprising)
*[[Henri Dutilleux]]: such gorgeous music, such a stubby article – and it seems I may need to read Proust, whose writings I didn't realize were an influence.
*[[Ney Rosauro]]: whoo, marimba music. Must get to it sometime after Antandrus went to the trouble of stubbifying it. :-)
*[[David Maslanka]]: I've met him and thought he was... a little out there, but his chamber wind music is lovely.
*[[Laurie Spiegel]]: another stub on a pioneer of computer music, inventive composer, and fellow appreciator of mathematics in music.
*[[Iannis Xenakis]]: dig up my paper on him and see what's usable, not that I wouldn't welcome the chance to look at ''Formalized Music'' again... which could be an article in its own right.
*[[Marcel Bitsch]]: from the Paris Conservatoire, wrote music that is a Bitsch to play, and doesn't even have an article in Grove!
*[[Darius Milhaud]]: gack, more French stubs
*[[Frederick Delius]]: as pointed out, another obvious candidate for improvement
*[[Johann Wilhelm Hertel]], not a favorite, but he's the subject of my bassoon prof's soon-to-be-finished dissertation.
*[[Umberto Bertoni]]
*[[Ferdinando Bertoni]]
===Music theory===
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